Show 249: Listening Guide

From the Top’s broadcast for Show 249 was taped in was taped in The Palladium at The Center for the Performing Arts in Carmel, IN on Wednesday, March 21, 2012. We asked our performers to tell us about the music they performed on the show:

Nathan Meltzer, violin, 11
Hejre Kati, Scènes de la csárda, No. 4, Op. 32     
By: Jenö Hubay

This is a Hungarian gypsy piece, and I really like gypsy music. Maybe it is because I grew up in Vienna across from a tavern, where every night I heard a violin and an accordion playing this kind of music. I try to play the piece like I imagine it would be played in that tavern. It has a really juicy opening. At a master class, Vadim Gluzman told me to not rush any note. He suggested I imagine a one-hundred-year-old man thinking about the love of his life, trying to hold onto every moment of his time with her. Since I’ve never really felt like that yet, I had better luck picturing a band of gypsies reflecting back on a hard day. In the next part, where there are light and soft double stops, I picture bandits sneaking into the gypsy camp. Then the theme returns; it is quieter and slower, because the gypsies are exhausted after the chase. Finally the music turns light and happy again. The bandits are gone,  and it’s time to dance!

As with Zigeunerweisen (by Pablo de Sarasate) and other gypsy pieces I’ve played, I like having the freedom to play around with the interpretation. I also like how I’m able to slack off on some proper shifting techniques and have some very romantic shifts and slides. What I kind of like and kind of don’t like about the piece is that every section is really unique and has its own challenge (style, character, technique). I have to practice every part of it with a very different focus. In the opening, there is a lot of repetition, and the challenge is to make each repetition a little different so it stays interesting. In the fast, dancing part of the piece, I have to work to get the bow articulation right. But it is a really a fun piece to learn and play.

Post Show Reflections: I liked everything, from the pizza party to the outreach programs. I really enjoyed myself! I especially liked hanging out backstage during the show. I also really liked all the people I met. They were not only great musicians but great people. Before I went on stage, I was very nervous.  But after Tim and everybody did their comedy acts, I felt better.  While I was playing, I felt like I could just go for it because we had already recorded it earlier that day. During the interview, the audience was very encouraging, so I felt like I belonged up there.

I believe that music has the power to make people cry/ laugh/etc. It is a way to communicate what you can’t say.

Tyler Rhodes, guitar, 18
Spanish Dance No.5, “Andaluza”
By: Enrique Granados

To me, this piece of music is very deep. I actually do imagine stories and images when I play. For this piece, I love picturing a middle-aged man complaining about his pathetic love life.

What I like about Spanish Dance No. 5 is that it’s very listener friendly. The musical phrases aren’t too difficult to express, so I can just relax a bit and enjoy it.

Post Show Reflections: My favorite memory was hanging out backstage during the show; a lot of interesting things went down. People never got tired of my sock-hands and we formed Captain Planet with our metals! Well, the concert was a harder performance than I’m used to since I was being recorded. But it felt great to play in such a beautiful space and try to let go!

Music has the power to emotionally connect to others on a whole other level. It impacts people in great and inspiring ways.

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Reaching Out in Carmel, IN


Towards the end of March, we taped a show at The Palladium – a beautiful, acoustically-ideal concert hall that’s part of the Center for the Performing Arts in Carmel, Indiana. We had taped a show at the Palladium just last year and the excitement behind our return allowed us to make a number of connections with the community. Two weeks before we even arrived, local bassoonist Tom English (Show #233) was busy promoting our return to Carmel. He traveled to the Prime Life Enrichment Center, where he performed several solo works and spoke about his experience on our show last year.

On the day of the show, a group of sound engineering students from Crowne Point High School drove all the way to Carmel (nearly two hours) to attend our dress rehearsal and get a behind-the-scenes look at a live recording session. After the rehearsal, they met with our sound engineer, Berred Ouellette, who explained the process of taking the show from live concert to radio broadcast. Berred also treated the students to a backstage tour to see and experience our recording equipment.

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