Audrey Watkins, 16, flute
III. Presto giocoso from Sonata for Flute and Piano
By: Francis Poulenc

This piece is extremely hormonal, with all sorts of jumps form lyrical to technical and back again. It never quite decides whether it wants to be serious or not, although it mostly leans towards the not serious. The way I think of it is it’s like someone in a class with their best friend, trying to pretend to be serious but bursting out laughing in all the teacher’s awkward pauses.

It’s really hard to maintain the internal calm necessary for the technique of this piece while still having the giggly attitude. If you aren’t careful, you wind up with about half the notes and a lot of really sharp high notes. It’s gun to juggle all of the piece’s moods, you just have to be careful to not get lost!

Post-Show Reflection: I really enjoyed going out for ice cream with Eric, Eva and Michaella after the show was over. It was the best to just relax and hang out with other awesome musicians and talk about the show, auditions, college, etc. Everyone on the show was so cool! The show was nerve-wracking in that when you’re playing with a great pianist, you REALLY don’t want to make mistakes. The experience of going on stage with all of the fun and madness of the show going on around you, however, was one of the most relaxed and sort of “fly by the seat of your pants” performances I’ve ever had.

Music can control your mood, which can control your actions, which can control your future, which can control your happiness, which can affect the entire human race. Ergo, music makes you happy, which makes everybody happy.

Sung Moon Park, 15, cello
“Capriccio”
By Lukas Foss

Post-Show Reflection: It’s hard to choose a favorite memory! The interview was a fun and new experience. I really liked the Arts Leadership Program orientation. It really made me look at music in a totally different way. Music is not just a mere entertainment, but also something that can make the world a better place.

The show was awesome! I love how From the Top does these concerts. The whole interview and more relaxed environment make it just awesome. I actually thought that it was little bit odd that the staff expected us to be super nervous backstage right before the performance.

Music has the power to make the world a much better place. It can unite people. It can build emotional connections between people. It is the best tool of communication we have got. It can do anything.

Eric Goldberg, 18, percussion
“Scirocco” for solo marimba
By: Michael Burritt

“Scirocco” means “hot desert winds,” and this image is definitely well captured by the melody of this piece. It consists of a lot of notes in a very short amount of time, which helps contribute to its frenzied storm-like nature. This piece was a challenge to learn not only because of its technical difficulty, but it was difficult to figure out how to communicate the imagery of it.

This piece evokes more imagery than others I have played, and there is a story that I have to tell. The tempo and dynamic ranges help communicate the varying intensity of this storm, so it is my duty to make that clear to the audience not only by the sound that I produce, but how I present it physically.

Eden Chen, 13, piano
“Concert Paraphrase on Rigoletto” S.434
By: Franz Liszt

I feel like I can play this piece for any occasion. It’s got lyrical sections AND virtuosity. I’ve played it in small parties and larger concerts, and always get great reactions. I think it’s like a chili pepper: what you’ve got is the drama and scope of an opera packed into the length of an impromptu. I remember once I was performing it at a hotel for some relatives, and some little kids ran up and started playing random keys. It was pretty funny because no one wanted to interrupt me, but the kids wouldn’t stop.

One of the most important things to keep in mind is the overall structure and unity of the piece. Since it came from an opera, and an opera is a story, everything has to sound adherent. To me, that’s the most difficult part because it’s really easy to get caught up in all the details. It is the first transcription I’ve ever played, and I enjoy it a lot, so I’m definitely going to want to play more transcriptions in the future.

Mittelpunkt Duo
“Geistliches Wiegenlied” (Sacred Lullaby) from Two Songs for Alto, Viola and Piano, Op.91, No.2
By: Johannes Brahms

Michaella Cipriani, 17, mezzo-soprano

This piece is a lullaby for Jesus, and it’s a pretty dark lullaby. In some parts, the speaker is pleading desperately to the angels for help protecting her child. She’s yelling at the trees to shut up because they’re being too loud. Eventually, the windstorm calms down, the baby falls asleep, and everything’s very sweet and picturesque.

I think this is one of those pieces where expression is more important than beauty. For me, that means sounding “yucky” sometimes – using straight-tone, glottal attacks – stuff I’m not supposed to do. It’s an interesting balancing act between singing with technical correctness (legato, with clean onsets, tone that projects, vibrancy, etc.) with expressiveness.

Post-Show Reflection: I loved hearing all the other performers play and talk about their music. They’re all so passionate. I think everyone’s enthusiasm rubbed off on each other, and built up higher and higher. I was surprised at how non-nervous I was. I think it was because I had the personal, informal connection with the live audience from talking about silly things in the interviews. I felt like everyone in the seats were good friends, and I was just hanging out, making music for fun with my friends. 

Music has the power to create understanding between people who otherwise have trouble communicating with each other.

Eva Kennedy, 18, viola

This is one of the most gorgeous pieces I’ve ever played. It’s fairly repetitive, but the melodies are so beautiful that they never get old. One thing that we’ve worked on has been presenting the repeated melodies a little differently each time, so we ended up playing them over and over again in rehearsals and I still absolutely love playing and listening to them!

This piece has been a very unique experience for me – his is the first time I’ve ever played with a vocalist. It’s very different than playing with other string players, so it was difficult at first, but it has been fun and very beneficial, especially since we (string players) are always told to phrase like vocalists. We also had to take the meaning of the text into consideration when exploring different colors and characters, which is something I’d never had to do before.

Post-Show Reflection: One of my favorite parts was sitting backstage after we had finished playing with the other performers who had finished and listening to the show. It was so much fun to listen to the other performers; everybody sounded fantastic and the interviews were all hilarious, both of which were particularly apparent because of the audience’s reactions. Also, I had to miss the first night and two of the other performers missed the Arts Leadership workshop, so it was really nice to be there with everyone and feel that camaraderie.

It was so much fun! I had my last college audition the day before the show, so it was really exhilarating to walk onstage and know that I was just there to share this beautiful music–the audience wasn’t a panel judging me, they were a group of friends, family, and music-lovers who were engaged and excited to be there. As a performer, you can totally feel that.

Music has the power to do anything. Music can foster deeply meaningful human connections, international peace and understanding, personal growth and healing and discovery, and a million other things. If we continue to expand the boundaries of music and if we believe in it, music can do anything.

Christopher O’Riley on tour with O’Riley’s Liszt

May 12 – Highline Ballroom New York, NY
May 13 – Merit School of Music Chicago, IL
May 15 – Regattabar Cambridge, MA
May 27 – Iota Club and Cafe Arlington, VA
May 29 – Yoshi’s San Francisco, CA

Acting Chairman Shigekawa said, “The National Endowment for the Arts is proud to support these exciting and diverse arts projects that will take place throughout the United States. Whether it is through a focus on education, engagement, or innovation, these projects all contribute to vibrant communities and memorable opportunities for the public to engage with the arts.”

In August 2012, the NEA received 1,547 eligible applications for Art Works grants requesting more than $80 million in funding. Art Works grants support the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and the strengthening of communities through the arts. The 817 recommended NEA grants total $26.3 million and span 13 artistic disciplines and fields. Applications were reviewed by panels of outside experts convened by NEA staff, and each project was judged on its artistic excellence and artistic merit.

For a complete listing of projects recommended for Art Works grant support, please visit the NEA website at arts.gov.

]]> http://greenroom.fromthetop.org/2013/05/08/from-the-top-receives-nea-grants-to-support-radio-and-outreach/feed/ 0 fttgreenroom http://greenroom.fromthetop.org/2013/05/08/alum-pays-it-forward-in-salinas-california/ http://greenroom.fromthetop.org/2013/05/08/alum-pays-it-forward-in-salinas-california/#comments Wed, 08 May 2013 22:08:02 +0000 fttgreenroom http://greenroom.fromthetop.org/?p=9950 ]]>

Eliodoro on From the Top in 2007.

Six years after appearing on From the Top, 22-year-old alum Eliodoro Vallecillo is paying it forward in his hometown of Salinas, California. Through his own after-school music program and traditional Mexican band, he hopes to develop new audiences for Mexican music and offer new opportunities for kids in Salinas.

Eliodoro wowed audiences on both From the Top’s radio and television programs with his performance of Mozart’s Concert No. 3 in E-flat on French horn. But it was his story about how his passion for music helped him to escape gang violence in his hometown and grieve the loss of his brother that audiences most remember.

For Eliodoro, his From the Top experience was influential in other ways. As a recipient of From the Top’s Jack Kent Cooke Young Artist Award, he was able to purchase a new French horn, which he used as a music major at California State University at Long Beach. He also counts From the Top’s Arts Leadership Orientation Workshop as a moment of inspiration for him.

“I remember some classes at From the Top on how to be involved in our community and that always stood in the back of my mind. It was always a dream to give back. Music is something that’s very powerful. I’m glad that From the Top encourages that, because a lot of these kids need it. I’m grateful that they made me see that!”

Music  – both traditional Mexican and classical – was a large part of Eliodoro’s upbringing but unfortunately there weren’t many opportunities in his community for music instruction. “My brother and I went through a music program where we learned to play our instruments, after that there was nothing else in Salinas,” he says.

Eliodoro was inspired to create a way for kids in his hometown to continue their musical passions. He developed an after-school music program, Escuela de Musica Regional Mexicana, that introduces kids ages 7 to 17 to Mexican music. Jesse G. Sanchez Elementary School is the program’s main site, hosting over 100 students, while a secondary site at Salinas Public Library hosts just over 80 students. Students in the program focus on traditional Mexican music, such as the accordion, guitar, drums, bass guitar, tuba, trumpet, and bajo sexto, a traditional 12-stringed bass guitar.

“I would love the students to come back, teach, and stay involved.” He said, “It caught me off guard that all the students were very enthused, along with the parents, because it’s something that’s culturally relevant.”

Along with Escuela de Musica Regional Mexicana, Eliodoro’s band, Proyecto X, is also expanding audiences for Mexican music. He and his band members are all from Salinas, but have different musical backgrounds, which has helped to create the flavorful musical style of Proyecto X. Eliodoro performs accordion in the band, which has been featured on Spanish radio across the U.S. According to Eliodoro, “Radio stations have fallen in love with us,” and it is easy to see why.

Learn more about Escuela de Musica Regional Mexicana on YouTube: http://www.youtube.com/watch?v=WAiubWk-8hM&feature=youtu.be

Learn more about Proyecto X on Facebook: https://www.facebook.com/GRUPOPROYECTOX
or on YouTube: https://www.youtube.com/user/GRUPOPROYECTOX?feature=watch

“The school visit had an emotional effect on me, and I am so grateful for the opportunity,” remarked 17-year-old violinist Maria Ioudenitch. The reaction of the audience – such as one little boy saying to her, ”Listening to you makes me wish I never gave up the violin” – was inspiring and moving.

Hearing the students describe (as one does in the video below) how they felt when she played also demonstrated to Maria how much her music affects her audience.

The presentation made a big impression on the kids from Clarke Middle School as well. Clarke teacher Eunice Kang said, “Having the chance to hear a live performance by such amazing young musicians is a once-in-a-lifetime experience for the majority of our students and you all made it even more captivating by allowing the students to ask questions and interact with the performers. It was really awesome.”

As part of every radio show taping, From the Top is committed to bringing our performers into the community. The opportunities provide an outlet for the young musicians on our show to put into practice the training they receive in From the Top’s Arts Leadership Orientation Workshop. Past From the Top performers have visited elderly living centers, public and private schools, colleges, community music programs, and hospitals.

The Van Cliburn Competition was founded in 1962 to recognize the great pianist Van Cliburn, who passed away in February 2013. In its 50-year history, the Cliburn has identified and ushered a host of exceptional artists to international prominence, including From the Top host Christopher O’Riley.

Meet the From the Top Van Cliburn competitors who represent six of eight U.S. contenders:

Sean Chen, Age 24, From the Top Show 134
Van Cliburn Profile

Sara Daneshpour, Age 26, From the Top Show 15
Van Cliburn Profile

Lindsay Garritson, Age 25, From the Top Show 19
Van Cliburn Profile

Steven Lin, Age 24, From the Top Show 157
Van Cliburn Profile

Alex McDonald, Age 30, From the Top Show 9
Van Cliburn Profile

Eric Zuber, Age 28, From the Top Show 7
Van Cliburn Profile

We’ll be reporting from the competition once it begins. So stay tuned as we follow these alumni.

Eric Goldberg, age 16 (Show 244, Kalamazoo, Michigan)

From the Top wishes to extend warmest congratulations to all of the young performers, including ten From the Top alumni, who were chosen to be part of the National Youth Orchestra this summer! Each summer, Carnegie Hall’s Weill Music Institute brings together 120 of the nation’s top young classical musicians to tour some of the world’s musical capitals as musical ambassadors. These young performers were accepted into this prestigious orchestra after a challenging and comprehensive audition process. Led by James Ross, the associate director of The Julliard School’s conducting program and director of orchestral activities at the University of Maryland, the National Youth Orchestra of the United States of America will tour from July 11 to July 22, 2013, performing in Washington D.C., then Moscow and Saint Petersburg, and finally, London. Congratulations and best of luck to our remarkable alumni!

Annika Jenkins, age 16 (Show 234, Virginia Beach, Virginia)

Erika Gray (Show 262, Greensburg, Pennsylvania)

Amy Semes (Show 239, Ocean City, New Jersey; Show 246, Pittsburgh, Pennsylvania)

Annie Wu (Show 263, Davis, California)

Eric Goldberg (Show 206, Dallas, Texas; Show 244, Kalamazoo, Michigan; Show 271, New Albany, Ohio)

Annika Jenkins (Show 234, Virginia Beach, Virginia)

Demi Fang (Show 239, Ocean City, New Jersey)

Sean Byrne (Show 252, Chattanooga, Tennessee)

Elizabeth Sperry (Show 240, Boston, Massachusetts)

Jacob Mezera (Show 214, Iowa City, Iowa; Show 238, Chicago, Illinois)

Tanner Jackson (Show 214, Iowa City, Iowa)

It all started the day of our show with a morning trip to Archway Classical Academy in Phoenix. In two back-to-back sessions, we visited both the fourth and fifth grade classes at the Academy. Performers Adé Williams (violin), Austen Yueh (clarinet), Trey Pernell (composer), and Peter Eom (cello) were each able to share stories, talk about why they love music, and lead the students through some really fun activities. It was an inspiring way to start the day – you can check out some highlights in the video below:

Later that evening before the show, we welcomed a group of high school music students from  the Phoenix-based Rosie’s House to meet the entire cast backstage. The students had some really great questions, including the classic “Why did you choose your instrument?” to which Peter Eom jokingly said that his mother’s love for the cello gave him no choice. When another student asked, “How do you balance practicing and school?” the performers gave some really great tips and Adé pointed out “We all practice a lot, but still find time to have fun and be ourselves.” We took some fun group photos and offered tickets to the students so they could watch the performers “in action” for the live taping.

Be sure to tune in and hear our Mesa show the week of April 8th! Click HERE for our broadcast schedule.

Since being on the show, Stephen majored in music at Yale University and he is currently pursuing his master’s degree at the Yale School of Music. He has received a multitude of awards, which include the ASCAP Morton Gould Young Composer Award, winner of the Left Coast Chamber Ensemble competition, and, most recently, winner of the Albany Symphony Orchestra’s “Composer to Center Stage” young artist competition. Aside appearing on From the Top, Stephen has also performed on The Martha Stewart Show and NBC’s The Sing-Off.

Last summer, the original musical Independents, with music penned by Stephen, premiered at the New York Fringe Festival and received the coveted honor of Best Overall Production. The musical follows a group of teenage slackers living on a Revolutionary War-era tall ship in a coming of age story about friendship, late-night sing-alongs, and Revolutionary War-era fashion. The musical received rave reviews: read more about it on The Huffington Post and The New York Times, or get the story straight from the creative team on their Kickstarter page.

Stephen has built upon the idea of musical storytelling in his musical, The Abyss. Stephen says: “What I was really interested in was how something like a Beethoven symphony was able, about 200 years ago, to reach a massive amount of people, and I was really interested in finding a model that would allow this kind of music, which people are still writing today and which is really important to me, to reach people in this kind of visceral way that matches other kinds of entertainment that are popular today.” Stephen, along with his partner and director, Charlie Polinger, has integrated classical music into a theatrical presentation that explores a 21^st century imagining of the end of the world with an ensemble of musicians, dancers, and actors. Set in an abandoned storefront, the team uses the space to assist in provoking their audience’s imagination, inviting them to participate in the theatrical experience.

A Kickstarter page for The Abyss launched on December 7^th, 2012 and they reached their funding goal on December 31^st, 2012. From the Top congratulates Stephen and the cast and crew of The Abyss for their hard work and creative innovation.

The Abyss premiers on March 28^th and will run until March 31^st at 278 Park Street in downtown New Haven, Connecticut. Tickets are free on a first-come first-served basis. For more information, visit http://www.abysstheshow.com or http://www.stephenfeigenbaum.com.

9-year-old violinist Elizabeth Aoki charmed listeners when she appeared on Show 261 in Boston, Massachusetts. During a visit to Phoenix, Arizona with her mother, Elizabeth’s musical talent also won the hearts of residents living at the Freedom Plaza Retirement Community. She worked with a family friend to organize the event and played some violin favorites for the residents (check out the program below!). They loved having the chance to meet such a talented young violinist.

The thing I most enjoy about music is getting to go to different places and dressing up. I also like seeing the smiling faces of people in the audience enjoying my music.  It seems like the people that listened to me play enjoy classical music. Because of this experience, I may want to play for retirement centers again.  – Elizabeth Aoki

PROGRAM:

Édouard Lalo
Symphonie espagnole in D minor – I. Allegro non troppo

J.S. Bach
Sonata No. 1 in G minor – Adagio

Pablo de Sarasate
Introduction and Tarantella

Variations on Amazing Grace
(Traditional)