Alum Pays It Forward in Salinas, California

Eliodoro on From the Top in 2007.

Eliodoro on From the Top in 2007.

Six years after appearing on From the Top, 22-year-old alum Eliodoro Vallecillo is paying it forward in his hometown of Salinas, California. Through his own after-school music program and traditional Mexican band, he hopes to develop new audiences for Mexican music and offer new opportunities for kids in Salinas.

Eliodoro wowed audiences on both From the Top’s radio and television programs with his performance of Mozart’s Concert No. 3 in E-flat on French horn. But it was his story about how his passion for music helped him to escape gang violence in his hometown and grieve the loss of his brother that audiences most remember.

For Eliodoro, his From the Top experience was influential in other ways. As a recipient of From the Top’s Jack Kent Cooke Young Artist Award, he was able to purchase a new French horn, which he used as a music major at California State University at Long Beach. He also counts From the Top’s Arts Leadership Orientation Workshop as a moment of inspiration for him.

“I remember some classes at From the Top on how to be involved in our community and that always stood in the back of my mind. It was always a dream to give back. Music is something that’s very powerful. I’m glad that From the Top encourages that, because a lot of these kids need it. I’m grateful that they made me see that!”

Music  – both traditional Mexican and classical – was a large part of Eliodoro’s upbringing but unfortunately there weren’t many opportunities in his community for music instruction. “My brother and I went through a music program where we learned to play our instruments, after that there was nothing else in Salinas,” he says.

Eliodoro was inspired to create a way for kids in his hometown to continue their musical passions. He developed an after-school music program, Escuela de Musica Regional Mexicana, that introduces kids ages 7 to 17 to Mexican music. Jesse G. Sanchez Elementary School is the program’s main site, hosting over 100 students, while a secondary site at Salinas Public Library hosts just over 80 students. Students in the program focus on traditional Mexican music, such as the accordion, guitar, drums, bass guitar, tuba, trumpet, and bajo sexto, a traditional 12-stringed bass guitar.

“I would love the students to come back, teach, and stay involved.” He said, “It caught me off guard that all the students were very enthused, along with the parents, because it’s something that’s culturally relevant.”

Along with Escuela de Musica Regional Mexicana, Eliodoro’s band, Proyecto X, is also expanding audiences for Mexican music. He and his band members are all from Salinas, but have different musical backgrounds, which has helped to create the flavorful musical style of Proyecto X. Eliodoro performs accordion in the band, which has been featured on Spanish radio across the U.S. According to Eliodoro, “Radio stations have fallen in love with us,” and it is easy to see why.

Learn more about Escuela de Musica Regional Mexicana on YouTube: http://www.youtube.com/watch?v=WAiubWk-8hM&feature=youtu.be

Learn more about Proyecto X on Facebook: https://www.facebook.com/GRUPOPROYECTOX
or on YouTube: https://www.youtube.com/user/GRUPOPROYECTOX?feature=watch

From the Top Makes a Big Impact in Athens, Georgia

While taping in Athens, Georgia, From the Top performers visited with 25 students from Clarke Middle School to share what they love about music. The experience greatly affected one performer, who was deeply touched by the students’ excitement and curiosity.

“The school visit had an emotional effect on me, and I am so grateful for the opportunity,” remarked 17-year-old violinist Maria Ioudenitch. The reaction of the audience – such as one little boy saying to her, ”Listening to you makes me wish I never gave up the violin” – was inspiring and moving.

Hearing the students describe (as one does in the video below) how they felt when she played also demonstrated to Maria how much her music affects her audience.

The presentation made a big impression on the kids from Clarke Middle School as well. Clarke teacher Eunice Kang said, “Having the chance to hear a live performance by such amazing young musicians is a once-in-a-lifetime experience for the majority of our students and you all made it even more captivating by allowing the students to ask questions and interact with the performers. It was really awesome.”

As part of every radio show taping, From the Top is committed to bringing our performers into the community. The opportunities provide an outlet for the young musicians on our show to put into practice the training they receive in From the Top’s Arts Leadership Orientation Workshop. Past From the Top performers have visited elderly living centers, public and private schools, colleges, community music programs, and hospitals.

Giving Back to the Arizona Community

DSC_0013We think music is powerful stuff and we love sharing that message with the different communities we visit on tour. While taping in Mesa, Arizona in February (Show 269), we had a number of opportunities to do just that.

It all started the day of our show with a morning trip to Archway Classical Academy in Phoenix. In two back-to-back sessions, we visited both the fourth and fifth grade classes at the Academy. Performers Adé Williams (violin), Austen Yueh (clarinet), Trey Pernell (composer), and Peter Eom (cello) were each able to share stories, talk about why they love music, and lead the students through some really fun activities. It was an inspiring way to start the day – you can check out some highlights in the video below:

Later that evening before the show, we welcomed a group of high school music students from  the Phoenix-based Rosie’s House to meet the entire cast backstage. The students had some really great questions, DSC_0018including the classic “Why did you choose your instrument?” to which Peter Eom jokingly said that his mother’s love for the cello gave him no choice. When another student asked, “How do you balance practicing and school?” the performers gave some really great tips and Adé pointed out “We all practice a lot, but still find time to have fun and be ourselves.” We took some fun group photos and offered tickets to the students so they could watch the performers “in action” for the live taping.

Be sure to tune in and hear our Mesa show the week of April 8th! Click HERE for our broadcast schedule.

Elizabeth Aoki Warms the Hearts of Elderly Residents in Phoenix, AZ

Elizabeth Aoki Photo 5

9-year-old violinist Elizabeth Aoki charmed listeners when she appeared on Show 261 in Boston, Massachusetts. During a visit to Phoenix, Arizona with her mother, Elizabeth’s musical talent also won the hearts of residents living at the Freedom Plaza Retirement Community. She worked with a family friend to organize the event and played some violin favorites for the residents (check out the program below!). They loved having the chance to meet such a talented young violinist.

The thing I most enjoy about music is getting to go to different places and dressing up. I also like seeing the smiling faces of people in the audience enjoying my music.  It seems like the people that listened to me play enjoy classical music. Because of this experience, I may want to play for retirement centers again.  – Elizabeth Aoki

Elizabeth Aoki Photo 6PROGRAM:

Édouard Lalo
Symphonie espagnole in D minor – I. Allegro non troppo

J.S. Bach
Sonata No. 1 in G minor – Adagio

Pablo de Sarasate
Introduction and Tarantella

Variations on Amazing Grace
(Traditional)

Franz Zhao and the Youth Music Society Bring Joy to the San Francisco Community

Franz Zhao Photo 2

“I imagine these experiences will be invaluable to my future, where I will continue to provide music for those who are willing to accept it.”

Ever since he was young, composer, pianist, and From the Top Jack Kent Cooke Young Artist Award recipient Franz Zhao (Show 257) has seen the inspiring effect that music can have on others. He used that inspiration to create his own organization the Youth Music Society of San Francisco. Franz recruited musical friends and colleagues to join him in sharing classical music with audiences who otherwise have limited access to musical performances. The majority of their performances have been at retirement homes, and the residents have been truly grateful for their visits.

Franz shares more about Youth Music Society below…

I am proud of my ability to lead and my overall willingness to help, whether it be organizing concerts for the elderly, or more contained matters, such as volunteering at summer camps. Several years ago, I took these ideas Franz Zhao Photo 5 and founded a small, non-profit organization called the Youth Music Society of San Francisco. This organization consists of myself along with a several of my friends and classmates. Our aim is to bring concerts to those who cannot access them by normal means – this typically leads us to senior centers and senior homes, where we play music for the elderly. We typically put on concerts several times a year, usually occurring during our school breaks.

Therefore, there are usually one or two holiday concerts during our winter break, another during spring break, and few more during the summer. We have also organized a few benefit concerts, including one to help support the San Francisco Boys’ Chorus 2011 Russia Tour – the money we raised help pay for choristers’ travel needs.

Ever since I was young, I would periodically play at my grandparents’ senior apartment for their holiday parties, Franz Zhao Photo 3most often during the Lunar New Year celebration. After each performance, I would have many tearful elders come up to thank me. Using this inspiration, I have continued the tradition over the past several years. Playing music for these elders with my organization has deepened and ignited a passion in playing for them. The happiness of these seniors matters most to me, and through these concerts I am able to share my passion and joy with them.

Involving myself with these activities has allowed me to see the world with a brighter perspective. In this sense, playing music at senior centers and senior homes has helped me understand how much our elders appreciate music. I imagine these experiences will be invaluable to my future, where I will continue to provide music for those who are willing to accept it.

An Inspiring Visit in Denver, CO

While on tour, we have visited some really inspiring music programs in schools across the country. For our taping with the Colorado Symphony this January, we had the opportunity to connect with El Sistema Colorado – a program dedicated to “transform[ing] the lives of IMG_1010children through music.” They are in residence at the Garden Place Academy in Denver, where we brought performer Emily Switzer (a Denver-based violinist!) to meet a group of fourth grade students involved in the program.

Emily shared a variety of repertoire, from a regal Bach to a flashy Paganini. She also wanted to see just how much these students knew about the violin, asking them how different parts of the instrument contribute to the sound.  The young musicians were so excited to answer that they were practically leaping out of their seats!

Another memorable moment was Emily’s impromptu performance of “Jingle Bells” – a piece that the students had just performed for their holiday concert. After the performance, their teacher noted how hearing Emily perform that familiar piece with such talent was very inspiring for the students, demonstrating how they could keep improving on one piece of repertoire.

You can watch these highlights and more in the video below – enjoy!

Avery Gagliano Brings Joy to Bethesda’s Senior Citizens

Avery Photo 2

…many times, people in nursing homes might not have opportunities to listen and experience the passion of music…I [was able] to share the wonders of music with others and bring happiness in to someone’s life.

Even at the age of 10, pianist and Jack Kent Cooke Young Artist Avery Gagliano (Show 251) can see the positive influence that music can have on others. This notion inspired her to visit with the residents at the Sunrise Senior Living at Fox Hill. Avery played piano and violin for the program, and was joined by her sister Aniah Lin (also a pianist!) and best friend Zoe Fang (violin) – all three are students at the Levine School Music in Washington, D.C. There were nearly 30 residents at the concert, and they loved having the chance to meet Avery and her friends.

We asked Avery to tell us more about her experience at Fox Hill…

FTT: Tell us what inspired you to meet with these residents?

Avery: I wanted to have the opportunity to entertain elders and to enliven their day through music. I received tremendous support from my parents, friends, the staff at Avery Photo 4Fox Hill, and the residents living there, which really made me happy.

FTT: What were some of your favorite moments?

Avery: I never thought that anyone could appreciate the music as much as they did, and it was touching to see how much they enjoyed the performance. I’ll never forget watching the residents sing along while I was playing piano and violin. I’ll also never forget shaking hands and talking to them, and hearing their appreciation and nice comments.

All these memories created a new experience I never dreamed of, and I loved every moment. This experience helped me realize how important it was for me to perform at Fox Hill, and how happy they were to see kids creating music.

FTT: What did you learn from this experience?

Avery: Overall, I learned that music is one of the best ways to heal some of the sorrow and pain the elderly people may experience, and it was my pleasure to make up for the things people may have lost. We shared music with everyone and let them experience the true beauty of music.

Avery Photo 5

Jieming Tang Pays it Forward with Music

IMG_4174

15 year-old violinist and Jack Kent Cooke Young Artist Jieming Tang (Show 251) found a “second home” with the parishioners at Saint Colman Catholic Church in Cleveland, OH – their support was truly helpful during his transition to the United States. Jieming shares more below:

As newcomers to America from China, everything was new to us, and settling down and adapting to the totally new environment was very difficult in the first couple of years. We always got kind help from the parishioners when we were in need. For example, most of our furniture was given by them. When we were moving to a new apartment, many of them offered to drive their trucks for transporting, free of charge. Our bikes were stolen four times, and they always gave us bikes immediately afterwards. Everybody in the community was very kind and friendly to us, and we were so lucky to have all of them. They made us feel at home and involved, not feeling lonely and isolated like many newcomers do.

When Jieming heard about the church’s recent financial struggles, he wanted to find a way to give back to the community that had given him so much. He recorded a collection of beloved classics, such as “Ave Maria” and “Meditation from Thais,” and launched a CD sale in hopes of raising funds for the church. Over 900 copies of the CD were sold in just two weeks, raising over $1,000 for Saint Colman! The CD is still available for purchase on the church website.

Jieming AL Photo 1

We asked Jieming to share more about his experience…

FTT: What inspired you to record your own CD?

Jieming: Once after Mass, I had been chatting with Father Bob in jest, when he said since so many people enjoyed my music very much, maybe I could consider recording a CD. My eyes immediately lit up at the idea….St. Colman Church was facing capital shortages and had just begun a campaign to keep the church open. I had been thinking about doing something to give back to this community which had helped me in a big way, as well as to promote classical music. Why not record a CD for sale, with the proceeds donated to the Church’s capital campaign, to achieve these goals?

FTT: Who else was involved with this project?

Jieming: I (reached out to) Sister Mary Beth Gray, who is the music minister at the church, about this idea the next time I met her. She was very excited about this idea and was very supportive of it. We (decided to) make the recording in late Fall, so we would have enough time to prepare for it. The CD would then be ready in time for the Christmas season.

FTT: Walk us through the steps you had to take with this process…

Jieming: There were numerous things to consider: music selection, recording place and engineers, CD cover design, pianist/organist, mastering/post-production, duplication, marketing, etc. I made a list of 20 possible pieces and discussed with Sr. Mary Beth several times. Finally we narrowed it down to 12 pieces, which was a decent amount for a CD. The repertoire comprises mostly easy-listening classical music, with some religious music and technically complicated music.

After a lot of communication and coordination with the relevant parties, we finally settled the recording dates on November 16 and 17, which were the earliest available times of Kulas Hall. It is at Cleveland Institute of Music, and has excellent acoustics and an organ.

FTT: How did everything turn out?

Jieming: The 1,000 copies of CDs finally came out for sale on December 10 after months of hard work and hundreds of emails. We were all extremely excited about it. The sales were better than we had expected. Several hundred copies had been pre-ordered by the community and my schools. By Christmas Eve, more than 900 copies had been sold in just two weeks! I have received a lot of positive reviews from the buyers. Here is a note sent to me from one of them:

Jieming, I have been selling your CDs at my Beauty Salon and a client purchased 3 CDs yesterday after listening to your music. He left the Salon and returned shortly after with this gift [an exquisite Hohner harmonica] for you. He is also a musician. He said to have fun & enjoy!

FTT: What did you learn from this project? 

Jieming: I learned how to face challenges and overcome difficulties. I also realized how wonderful, loving, and helping others are, and how joyful it is to bring others music and to serve others. This project was one of the most challenging things in my life. Because of my heavy schoolwork and busy schedule at the Cleveland Institute of Music and Cleveland Orchestra Youth Orchestra, finding time to practice the repertoire was always a struggle. Sometimes I felt overwhelmed and exhausted, but after the project was finally completed successfully, it was one of the happiest times of my life

Show 265: Listening Guide

performers with Jamie Allen

From the Top’s broadcast for Show 265 featuring the Dallas Symphony Orchestra (DSO) was taped at the Morton H. Meyerson Symphony Center in Dallas, TX on Friday January 4, 2013. We asked our performers to tell us more about their experience on the show…

Aakash Patel, 19, violin
I. Allegro non troppo from Violin Concerto No. 3 in B minor, Op. 61
By: Camille Saint-Saëns

Saint-Saëns was a French composer, and French composers are known for their ability to create different atmospheres with their talent for understanding different textures of various instruments. When I play this piece, I think of the different atmospheres that Saint-Saëns tried to create, and relate such atmospheres to my experiences with them. This has helped me gain a deeper insight into the beauty of Saint-Saëns third Violin Concerto.

This piece contains some of the most beautiful lyrical passages I have ever played. This piece combines ideas of love and passion with a unique fluidity. For me it is a great challenge to convey this specific aspect of this piece. Although connecting the different portions of this piece together can be quite difficult, it is also quite rewarding. When I am able to convey this idea successfully, I get butterflies in my stomach.

Post-Show Reflection: I was asked, just before my performance, what it was like to finally be on the show – my response was, “pinch me, I’m dreaming!” 15 hours and many pinches later, my response should have been, “PLEASE REFRAIN FROM PINCHING!” From The Top has gotten me over so many hard blocks in my musical life – you guys keep my drive alive. Actually performing on the show was an unforgettable experience.

Many people say that man has the ability to move mountains. I was practicing outside a grocery store one day, and closed my eyes and began to play Bach’s G minor Sonata. After I finished, I opened my eyes and saw that an audience had formed – they all began to clap. I didn’t have to move any mountains, music had done it for me.

Russell Houston, 18, cello
Schelomo
By: Ernest Bloch

Whenever I play the Schelomo, I try to imagine it as the life story of a great king. I think it’s a cool piece to sit and play and really feel like a king, and the orchestra and solo parts contribute to this feeling. Further, it’s really fun to play because the orchestra parts are just so fantastic. My favorite part is the last tutti, it sounds so grandiose and overwhelmingly beautiful. When I was a little kid I used to really like the movie The Ten Commandments, and that tutti reminded me of that movie the first time I heard it. From the first time I heard this piece, I was determined to work on it, and wouldn’t stop talking about how much I loved it.

What’s really cool about the Schelomo is that it isn’t like other concerti where technique is the most important part – the Schelomo is like a painting, in that each part contributes to this overall panorama. The most important thing to communicate is the character of Solomon – the piece is about him. It’s really hard to communicate that wisdom and maturity he has in his old age, especially since I’m only 18! This piece is really fun to perform because it’s just as much about the accompaniment as the solo!

Post-Show Reflection: I loved walking out on stage for the first time at the live show – it was so validating seeing how many people were out there! The performance was great! The hall feels great to perform in, and the size of the audience was more affirming than frightening.

I think music can change lives, from changing how you feel any time you listen to having a life full of music. Music is enriching for the soul and makes life better!

Chase Dobson, 16, composer/piano
II. Sporting of the Gods from Piano Trio No.1
By: Chase Dobson

This piece is full of energy. The driving rhythm is part of it, but there’s also an element of it that comes from Aakash Patel,Chase Dobson, Russell Houston rehearsing2the three members of the trio together, all adding to the drive, competing with one another, but competing collaboratively. It takes a lot of precision to get the fine details together, but once it’s in performance, then the rush you get from it is unparalleled.

This composition is very special to me, in that it was the first composition I performed with live musicians. In the summer of 2011, I began rehearsing this trio with my friends Phoenix Abbo and Jorge Giron Vives. We prepared this movement for a benefit concert Phoenix was hosting, and we received a standing ovation at the performance, making the first public reception of my work very positive.

Post-Show Reflection: One of my favorite memories was Christopher O’Riley and the maestro’s rehearsal of the Shostakovich without the orchestral accompaniment – they both just hummed along during the piano breaks. I know it’s very specific, but it was so cool. It felt very comfortable to perform on that stage – there were so many steps to the actual performance that helped make it very easy, and very fun!

Music has the power to change live, bridge civilizations, entertain – essentially anything!

Greater Dallas Youth Orchestra (in a side-by-side performance with the DSO)
“The Great Gate of Kiev” from Pictures at an Exhibition
By: Modest Mussorgsky (orch. by Maurice Ravel)

Tiffany Mourlam, 18, viola

I absolutely love the Pictures at an Exhibition, and the “Great Gate of Kiev” is one of my favorite movements. I love the great contrasts between sections of the piece and how incredible the ending sounds. It’s one of the DSO rehearsing (1)most magical pieces of music EVER. My favorite part is definitely the beginning, where the brass play the theme. It just feels so good to sit and listen to. I also enjoy the sections where the strings rest and the winds have a few bars to enjoy the music and transitions between sections of the piece. There’s nothing about this piece that I dislike!

The orchestration is incredible! Ravel was truly a master of orchestration, and I really like the way he chose to bring Mussorgsky’s ideas about the piece (as well as his own) into the music. It’s critical that the contrasts in this piece are pronounced because Ravel asks for so many different sounds and colors in Pictures at an Exhibition. The hardest thing was to achieve that difference in tone and color. I’ve loved this piece since I heard it as a child. Getting to play it is so fulfilling!

Post-Show Reflection: It was an incredible three days! I loved my backstage naps with Annie, and getting to introduce Mr. O’Riley and Tom (Voegli) to the extremely comfortable red chairs in the lounge. I also loved meeting my stand partner Valerie. The performance was incredible! The musicians were all so nice. At one point, I just looked around and couldn’t believe we were sitting with the DSO – one of my greatest childhood dreams come true!

Music has the power to connect people and change lives! I firmly believe that it has the power to promote peace and heal people.

Morgan Mitchell, 16, cello

Honestly the adrenaline rush I get from the Baba Yagá (the previous movement) is still with me, so the opening chords help me calm down and proceed. I absolutely love the dynamic contrasts because they keep me interested in what I am playing. My favorite memory of playing the piece was from this past summer in CREDIT JOHN SERVIES -Thomas Hong, conductor of DSOLitomyšl, because we were performing in a castle (a girl’s favorite place!) and I could feel everyone around me giving 100%.

This particular movement gives me the responsibility to convey and evoke emotion. It takes you out of your own brain and problems into a world of beauty and empowerment. The hardest things about the movement are sustaining the long notes with full pwer, and feeling as an ensemble. Compared to other pieces this one is not about virtuosity or showing off – it is about reflection.

Post-Show Reflection: Being on the Meyerson Hall stage sitting next to my teacher (who inspires me more than anyone) and feeling the realization of what I was doing was really powerful. The performance was the scariest, most special and humbling feeling ever. I love that stage, and everything it stands for in a musician’s life!

Music has the power to fill anything you do with passion by allowing you to give your all.

Annie Lehman, 18, harp

A sort of chordal texture starts the piece and quickly builds to (my favorite part) the big ending, which is so exhilarating to play and literally feel because you’re surrounded by the music when you are sitting in an orchestra.

Blending the sound with both the principle harpist and the rest of the orchestra is the most difficult part of learning this piece. Playing with a professional harpist adds a new dimension to playing in an orchestra, and provides a great learning experience.

Post-Show Reflection: My favorite moments were performing on the stage, being interviews by Christopher O’Riley, and seeing the behind-the-scenes of the show backstage. The show itself was AMAZING! I thought I would be nervous but I felt so comfortable talking and performing, and actually had tons of fun!

Music has the power to change everything – it can help others by allowing them bring across ideas that can’t be said with words, and can give you a knowledge of other cultures.

From the Top in Sarasota: Coping with Stage Fright

DSC_3197After our taping at the Sarasota Opera House this past December, we brought performers Jennifer Kim (guitar), Kaitlyn Resler (horn), and From the Top alum Abe Feder (cello) to meet a dynamic group of students involved in the Visual & Performing Arts (VPA) program at Booker High School. The presentation featured our performers playing some solo pieces and talking about musical experiences, and gave the VPA audience ample opportunity to share their own ideas and questions with the performers.

We had a great discussion on issue of stage fright, talking about ways that we as performers can learn to cope with our nerves. Abe, as the principal cellist with the Sarasota Orchestra, had a ton of fabulous ideas. Check out the video below to see some highlights from our conversation:

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